GERMAIN DROOGENBROODT (edited by) You would love that the words let you live again the touch of things, the touch that wakes the naked skin and fills it again and again, being able to feel the eyes on the eyes,…
SILVANO GREGOLI Italy, Mondovì, Delle Ripe Street. A few days before Christmas 1947. The basket of Baby Jesus was waiting, already filled with presents for the children of the Delle Ripe neighborhood. That year, it was mostly socks. Exultate! The…
Margutte wishes all readers a Merry Christmas and a happy New Year (Photo: Bruna Bonino)
SILVIA PIO (edited by) The Albero Project, published by Margutte, is a multilingual translated project based on Richard Berengarten’s poem, TREE. Translations of the poem into ten languages appear here. The project has now been enriched by a new work of…
These image-poems by Richard Berengarten and Will Hill are part of a series of thirty-two collaborations, which are to be published in book form in 2018 by Dos Madres Press (Cincinnati, USA), under the title DYAD. All the compositions in…
MIRIAM NEIGER-FLEISCHMANN While working on the translation of Richard Berengarten’s Tree into the Hebrew language and getting deep into the sense and essence of the tree as depicted in the poem, I was inspired to make a series of watercolour…
KERRY SHAWN KEYS Between the silverfish and the moon a gray ailanthus tree marks this city as mine (I have just eaten a book. I ate all its characters. I ate the deadend of the book) Between the silverfish and…
GERMAIN DROOGENBROODT Released from the tree a whirling down autumn leaf trip with no return Slowly branch by branch breaking out of the vapour the green of the pines Tree on a hilltop with branches spread like wishes to embrace…
SILVIA PIO I once said the apricot tree was my home because I preferred its clamorous leaves to the silence sounding the old walls. When autumn began to confine me inside I would look to the tree as one looks…
RICHARD BERENGARTEN The ‘planting’ of Richard Berengarten’s chant-poem TREE in Margutte, together with translations into other languages, marks the beginning of an ambitious poetry publishing project that has strong ecological relevance and resonances. This roots potentially wide-reaching international prospects and…
RICHARD BERENGARTEN I wrote Tree in Cambridge, 1979, at the age of thirty-five. Much of the poem’s direct inspiration came from Ann Waldman’s chant-poem, Fast Speaking Woman,[1] which she based in large part on her researches into women’s customs in…
RICHARD BERENGARTEN Twelve propositions [1] 1. TREE is a chant poem that sings the tree. As a tree itself is a harp that plays itself by itself in and on the wind, so TREE plays on and along the human voice…
RICHARD BERENGARTEN Twelve propositions 1. The word anthology often means a ‘collection of poems’. This usage blends two ideas: a ‘gathering of flowers’ and a ‘gathering of extracts from writings’.[1] In other words, an anthology is conceived as a kind…
STEFANO MARIA CASELLA An essay on Tree by Richard Berengarten (Photo: Fiorenzo Calosso) Related articles: The Albero Project (Richard Berengarten’s Introduction) A Forest of Trees (versions in different languages) Concerning “Tree”: Twelve Propositions A Dendrology: Twelve Propositions For more articles…
The area known as the Kite, on account of its shape, is situated in the north-east part of Cambridge; it has a distinctive character, though much changed since construction of the Grafton Centre in 1981-1983. This destroyed a lot of terrace…
